‘Don’t chop me down.’ 100-year-old gingko trees may get axe for Tokyo redevelopment project

Takayuki Nakamura prays on Sunday against a 100-year-old ginkgo tree that could be cut down under a disputed development plan for in the Tokyo Jingu Gaien park area in Tokyo. (AP Photo/Stephen Wade)
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TOKYO — Miho Nakashima stood in a bathing suit in Tokyo on Sunday next to a 100-year-old gingko tree, her body painted head-to-toe in green leaves and brown branches.

Her message was clear, and she repeated it standing at the heart of the Jingu Gaien park area, its sanctity threatened by a disputed real-estate development plan.

“I’m a tree,” she said. “Don’t chop me down.”

A plan approved earlier this year by Gov. Yuriko Koike would let developers, led by Mitsui Fudosan, build a pair of 200-meter (650-feet) skyscrapers in Jingu Gaien, mow down trees in one of Tokyo’s few green areas and raze and rebuild a historic rugby venue and an adjoining baseball stadium.

Takayuki Nakamura, among a few hundred people who gathered on Sunday to protest, pressed his face into the bark of one tree and prayed. The area was set aside 100 years ago to honor Japan’s Meiji Emperor.

“I want to appreciate the existence of these trees. Sometime I can feel some sounds inside,” he said.

The planned redevelopment would take more than a decade to finish, and has attracted lawsuits with mounting opposition from conservationists, civic groups, local residents and sports fans.

Eighteen ginkgo trees behind the rugby stadium are likely to be cut down.

The flashpoint has been trees, green space, and who controls a public area that has been encroached on over the years.

Also at issue is the fate of more than 100 gingko trees that line an avenue in the area and provide a colorful cascade of falling leaves each autumn. Botanists say any construction is sure to cause damage.

Critics say the plan has been rammed through despite a botched environmental assessment as real-estate developers take what was intended as public land and turn it into a private commercial venture.

The project highlights the ties among the main actors: the governor, Mitsui Fudosan, and Meiji Jingu, a religious organization that owns much of the land to be redeveloped.